Which of the following best describes neo-classical theatre?

Neo-classical theatre is characterized by strict adherence to classical forms and themes, drawing heavily from the works of ancient Greek and Roman drama. This movement emerged during the 17th century in Europe, particularly in France and Italy, and was marked by a desire to uphold the formal rules and styles espoused by classical playwrights.

Key features of neo-classical theatre include the use of a three unities: unity of time, unity of place, and unity of action, which dictate the structure of a play. Additionally, neo-classical works often emphasize moral lessons and the importance of reason, reflecting the values of the Enlightenment. The influences of Aristotle’s Poetics played a significant role, informing both the thematic content and the structural composition of new plays.

In contrast to the other options, neo-classical theatre does not focus solely on emotional experiences, nor is it centered around improvisational techniques, which belong more to styles like commedia dell'arte or modern theater. Additionally, it did not develop as a reaction against realism; rather, it is rooted in classical traditions prior to the emergence of realism. The movement sought to revive and preserve the ideals of the classical era rather than refute them.